This is a continuation of the report on the fall exhibition.

Introduced by Lafont of France.
I feel that the main difference between Japanese Sabae design and French design is the use of materials and colors.

The materials used in France are very different from those used in Japan, such as stainless steel instead of titanium, and French designers are willing to use bold and gaudy color schemes.

Lafont's use of color and line drawing is very subtle and bold.

The displays are always very innovative and I plan to use them as a reference in the future.

The founding family designer, Thomas, and Rafael, a sales representative who travels around the world, were also there, so we took a commemorative photo.

At the IOFT exhibition, not only eyeglass frames, but also the system optometry machines and lens-shaving machines that we usually use are exhibited. Among them, I was very excited to see a new proposal for a system optometry machine, which made me feel a little bit like the future.

The testing system is based on European standards, so it would be a bit difficult to immediately apply it in Japan, but it gave us a sense of the possibility that the vision testing system, which has remained unchanged over the past several decades, may be changed little by little through the use of technology.

Next, we went to Aoyama, where Yellows Plus, one of our most popular events, was held.

Yellows Plus frames have a dignified appearance, which may be the best way to describe them, and they give a sense of luxury just by being there. They are very valuable in the midst of the increasing number of poorly made eyeglasses.

The last exhibition was Husky Noise, Solid Blue, and RIDOL held at Kotto-dori in Aoyama.

As you can see, it is already dark.
I walked around all morning and my battery ran out, so I forgot to take a picture of the all-important frame.

I will explain it thoroughly when it arrives.

Article Categories: Exhibition Information